2019
Digital Collage
Collages in my practice examine the images I consume through binge watching and internet algorithms. The impact of digital “aesthetics” in relation to visual art practices is questioned in relation to the speed of which a “Fine Art” image can be repurposed as editorial and the relationship between the two disciplines when making work about consumerism and life(styles). Lives led by algorithms examine ideas of embodiment and the performance of identity in relation to technology and its relationship to mechanisms of desire and capitalist consumption.

2019
Digital Collage